爵士乐一直是我们的激情所在。因此，在“Simple Jazz – Bass”和“Scoring Piano”之后，我们自然而然地想要采样古典爵士三重奏中缺失的乐器：鼓。因此，我们开始挖掘采样的刷子鼓，意识到尽管有几十个高质量的鼓库，但其中很少有“正确”的笔触。事实上，使刷子在爵士鼓中如此受欢迎的扫动动作很少用样本忠实地再现。因此，在通常对脚本挑战的关注下，我们开始考虑如何将那些复杂的扫掠运动分离成更容易采样的更简单的单元。是否有可能以一种可以建立“Elvin Jonesish”凹槽的方式将它们重新组合在一起？我们将让您确定我们是否达到了这个目标。
Jazz has always been a passion of ours. Therefore, after “Simple Jazz – Bass” and “Scoring Piano”, we naturally desired to sample the missing instrument of the classical jazz trio: the Drums. Hence, we begun to dig in search of sampled brushed drums, realizing that, despite the dozens of high quality drum libraries, few of them featured “proper” brush strokes. In fact, that sweeping motion that made brushes so popular in jazz drumming is rarely reproduced faithfully with samples. Thus, with the usual care for the script challenge, we started to think about how to isolate those complex sweeping motions into simpler units that would be easy to be sampled. Was it going to be possible to put them back together in a way that would build up an “Elvin Jonesish” groove? We will let you determine whether or not we reached this goal.